First Impressions

What'sup people?! It's been a while, but I'm so happy to get back to some content. I love shedding light on artists that are deserving, but I missed getting some content back up here. That said, let's jump into it. I noticed that there may seem to be this double standard when it comes to hip hop heads. You know, so often we talk about what is and isn't hip hop and say songs glorifying certain things or sounding a certain way aren't real hip hop. However, when similar songs are  dropped by certain artists (usually established), we don't question the songs they put out, regardless of how similar they are to many of the songs we disregard. I know that it comes across hypocritical, but there is one simple explanation for this: first impressions.

The reason that few people say "Big Pimpin'" from Jay-Z isn't a hip hop song or doesn't represent true hip hop is because he gave us "Can't Knock The Hustle" and Reasonable Doubt. The reason that many hip hop heads don't say too much about"Oochie Wally" from Nas is because he gave us "Halftime"and Illmatic. The reason  Ice Cube can get away with "We Be Clubbin'" is because he initially had his material from N.W.A., Amerikkka's Most Wanted, and much more. Nowadays, many artists start their careers off with songs full of meaningless content. Not only that, but they drop similar racks in order to gain a following and fill their albums with these types of songs in order to gain sales. There are no more lessons or creativity in today's music, even when an artist first debuts. 

It is said that it takes several times (I don't remember the exact number, but more than 10) of interacting with somebody to change your initial impression of them. Therefore, when artists first come out and they don't provide hip hop fans with anything of substance, they leave an impression of being a"rapper" and not an "MC." And as they continue to put out songs that basically validate our initial impression, we tend to write them and their music off as nothing of relevance. On the flip side, when an artist starts their career off with material that really resonates with us and provides that type of music throughout the majority of their career, that is when we validate them as true hip hop artists. 

We understand that there are many facets of life that artists will cover in their music. Social and political commentary, religion, love/relationships, partying,pain, happiness, money, poverty, hustling, drug use, and much more are all part of life. When an artist has a couple of songs that reference partying, dancing,and dope dealing, we understand that may be part of what his/her life consists of. However, when things such as these are the sole focus of an artist throughout their career, and they don't do anything to separate themselves from other artists, this is when we deem it appropriate to say that they do not represent "real hip hop." 

I felt it important to cover this because I know those that may hear these types of remarks from hip hop heads will view them as hypocritical when in reality there is a reason. Let me know your thoughts and opinions. Is it hypocritical to characterize two similar songs as either "real hip hop" or not based upon who the artist is? Let me hear it. As always, you can e-mail atstraightouttahiphop@gmail.com.


Peace.

 

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Comments

  • 8/19/2010 2:29 PM Will wrote:
    I think we need to get rid of the phrase "real hip hop" because its all hip hop. If we agree that hip hop is the culture and rap is the music of that culture then everyone from Nas and Outkast to Gucci Mane and Soulja Boy is hip hop. As much as I hate the latter two artists they are a part of hip hop too. At the beginning rap was party music and there were plenty of dance songs with no content, so to say these new artists that choose to just make dance music aren't hip hop is hypocritical, and we need to stop thinking that way.
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  • 8/19/2010 4:09 PM H.E.R. Lover wrote:
    Very valid point and that is one of the reason real hip hop was always put into quotations. However (just for the sake of conversation), could the argument be made that today there are far more issues that affect the hip hop community (as opposed to when it first started) and because of that it should be expected that hip hop artists will touch on a variety of these different subject matters? Hip Hop started as a way to stay out of trouble and bring enjoyment to those living in sub-standard conditions (mainly by way of partying and escaping the issues they were facing. Now that its reach has extended much further and plays many different roles. If this is true, does there need to be a distinction between those that only choose to cover one aspect (i.e. partying) and those addressing multiple topics?
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  • 8/23/2010 7:26 AM somecallmeadreamer wrote:
    Great post. During those first impressions the listener can tell whether an artist is interested in the music to make money or because they love it. Objectively, we understand the contradictions in Hip Hop and life. We aren't all one thing or the other and it's a particular vibe that comes along with an artist who is thoughtful and generally positive and forward thinking. It's about the 'spin' you put on what you want to communicate with your audience. It's when the artist's objectives with their music and message aren't authentic that the relationship with listeners starts to erode.
    Personally, I tend to listen to music from artists that I would befriend if the opportunity came about. That can encompass many different things and types of people but the things that brings them all together is intelligence, thoughtfulness, respect and a generally peaceful nature...
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